The Infamous Claire Chiang's Site
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In the beginning, I am mean and greedy and selfish. This is symbolized by three things, A: There is a half-finished sculpture of an angel in my garage B. There is a hungry little boy that sleeps on my doorstep every night that I call the police on. And C: I have a dying father that I haven't talked to in years. Then one day I see the error of my ways. I don't know how, I don't know. But I see it. Then: The song comes on. And in the three minute duration of this song, I make all of the changes I need to in my life. They are symbolized by A: I finished the angel sculpture in my garage, and incidentally it is a masterpiece. B: I feed the little hungry boy on my porch, I bring him in the home and incidentally he becomes a senator and loves me. And finally C: I call my father and tears stream from our eyes as we tell each other we love one another, and incidentally moments later he dies. But I tell him in time.And the moments later all is right in the world and this is symbolized by an ambient light that my soul generates. Excuse me. Excuse me. It's just so dramatic. I do that in the duration of a three minute song. It frustrates me so that I can't change like that. It is amazing how the people whose stories are told by movies, during the duration of one song, can switch their whole life around. I want a dramatic life like that.
From Charge (by Eric Kaisa)